Italian c1383-c1477 Masolino Gallery The principal monograph is by Toesca, Masolino da Panicale (Bergamo, 1908); also, A. H. Layard, The Brancacci Chapel and Masolino, Masaccio, and Filippino Lippi published by the Arundel Society (London, 1868); Schmarsow, Massacio Studien (Cassel, 1895-1900); Bernard Berenson, "Quelques peinures m??connues de Masolino da Panicale," in Gazette des Beaux-Arts, ser. 3, volume xxvii (Paris, 1902); Berenson in Study and Criticism of Italian Art, volume ii (London, 1902); Crowe and Cavalcaselle, History of Painting in Italy, edited by Douglas and Strong (New York, 1903); for data on the life of Masolino: Milanesi, Storia dell' arte toscana (Florence, 1873).  Related Paintings of Masolino :. | Temptation of Adam and Eve | florentinska ynglingar omkring | The Annunciation, National Gallery of Art | Madonna and Child, Saint Anne and the Angels | Healing of the Cripple and Raising of Tabatha |
Related Artists:
William Turner of Oxford
British, 1789-1862 He probably received his earliest training from William Delamotte, in Oxford. In 1804 he went to London and became a pupil of John Varley, possibly being formally apprenticed. He first exhibited at the Royal Academy in 1807; in January 1808 he was elected an associate of the Society of Painters in Water-Colours, and in November of that year became its youngest full member. He exhibited there annually from 1808 until his death, sending 455 works in all. His passionate, technically complex youthful work was highly acclaimed, yet its promise remained unfulfilled; around 1811 he returned to Oxfordshire and soon established himself as a drawing-master in Oxford.
Joan de Joanes
Spanish Painter 1507-1579
Francisco Goya
1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).